Beijing Guitar Duo
Mar 16 & 17, 2024

Composed of guitarist Meng Su and Yameng Wang, the Beijing Guitar Duo has performed throughout Europe, Asia, and North America. This past season took them to countries such as Germany, Russia, Spain, Portugal, Denmark, Poland, China, Panama, and the United States. The duo has toured extensively with their mentor Manuel Barrueco, appearing in such countries as Germany, Finland, Spain, Russia, as well as the United States.

The Beijing Guitar Duo’s performances and recordings have impressed the public with “an ability and artistry that exceeds their years.” Their debut CD Maracaípe, received a Latin-GRAMMY nomination for the titled piece, which was dedicated to them by renowned guitarist/composer Sergio Assad. Their second CD, Bach to Tan Dun, has been widely noted for the world-premiere recording of Tan Dun’s Eight Memories in Watercolor, specially arranged for the duo by Manuel Barrueco. A recording in trio, China West, with Maestro Barrueco was released in May 2014.

Meng Su and Yameng Wang were born in the coastal city of Qingdao, China. They came to the partnership with exceptional credentials, including a string of competition awards. Ms. Su’s honors include victories at the Vienna Youth Guitar Competition and the Christopher Parkening Young Guitarist Competition, while Ms. Wang was the youngest guitarist to win the Tokyo International Guitar Competition at the age of 12, and was invited by Radio France to perform at the prestigious Paris International Guitar Art Week at age 14. Both young artists had given solo recitals in China and abroad, and had made solo recordings before they formed the duo.

In addition to concertizing, the members of the duo share a love for teaching which brings them to major conservatories in the world for master classes and to judge competitions. Since 2011 they have been Artists-in-residence for the San Francisco Performances. This four-year residency program brings them to the Bay Area every year for community outreach, performances, and master classes in public schools as well as for the San Francisco Conservatory.

The Beijing Guitar Duo is proudly supported by the Maryland State Art Council’s Touring Artists Grant program since 2014.

MENG SU

Born in the coastal city of Qingdao, in the province of Shandong, China in 1988, Meng Su demonstrated her artistic gifts as an exceptionally talented guitarist from an early age.

Embarking on an exciting guitar career as one of the most outstanding guitarists of her generation, Meng Su began her training in classical guitar with renowned Professor Chen Zhi at the age of nine, where she quickly began attracting attention as a remarkable young talent. Before graduating from the High School of the Central Conservatory of Music of China in 2006, Ms. Su had already won many awards, including the 5th Vienna Youth Guitar Competition, the 48th Tokyo International Guitar Competition, the Christopher Parkening Young Guitarist Competition, and the 2nd Iserlohn International Guitar Competition in Germany.

As a performing artist, she has performed solo, duo, and quartet concerts across the United States, United Kingdom, Canada, Austria, Germany, Holland, Ireland, Finland, Croatia, Korea, Japan, and China, in which she has impressed audiences with an ability and artistry that exceeds her years.

Ms. Su performs regularly in chamber music setting, both with orchestras as a soloist, this past season she performed the Concierto de Aranjuez by Joaquin Rodrigo and Osvaldo Golijov’s Ayre for a chamber music ensemble.

Meng Su obtained her Performer’s Certificate and the Graduate Performer’s Diploma from Peabody Conservatory in Baltimore, USA, and is currently continuing her studies with guitar virtuoso Manuel Barrueco in the chamber music program.

Ms. Su’s discography includes a live CD and DVD release of a 2005 guitar concert in Korea as well as a release of “Four Angels.”

YAMENG WANG

Born in Qingdao, China in 1981, Yameng Wang fell in love with the classical guitar at a young age and began studying with the leading guitar professor in China, Professor Chen Zhi, when she was 10 years old.

She became the youngest winner of the Tokyo International Guitar Competition at the age of 12. She went on to win second prize in the “Michele Pittaluga” International Guitar Competition in Italy at the age of 13, and at the age of 14 she was invited by Radio France to perform at the Paris International Guitar Art Week and won second prize in La Infanta Doña Cristina International Guitar Competition in Spain. Classical Guitar magazine noted that at the age of 14, she already played like a seasoned professional.

After graduating from the Central Conservatory of Music of China in 2006, Ms. Wang enrolled in the Peabody Conservatory in Baltimore, Maryland. There, she finished her Masters of Music degree in 2008 and is currently in the Graduate Performance Diploma program, studying with Maestro Manuel Barrueco.

Ms. Wang has given acclaimed recitals across the US, France, Italy, Holland, Germany, Ireland, Finland, Croatia,, Britain, Austria, Spain, Belgium, Switzerland, Poland, Australia, Japan, and Malaysia both as a soloist and in chamber music setting.

Her first album, “Caprice” was recorded when she was 16 years old. “A Very Special Album” was released in 1999, and in 2003 she contributed GHA’s album, “The Best of Classical Guitar.” In 2005 she released “Classic Guitar – Aquarelle, Un Sueño en la Floresta.”

Program

Prelude, Fugue et Variation, Op.18
CÉSAR FRANCK  (1822-1890)
Prélude (Andantino)
Lento (arr. Ophee)
Fugue (Allegretto ma non troppo)
Variation (Andantino)

Petite Suite
CLAUDE DEBUSSY (1862-1918)
En bateau
Cortège (arr. Meng Su)
Menuet
Ballet

Dolly Suite, Op. 56
GABRIEL FAURÉ  (1845-1924)
Berceuse
Mi-a-ou (arr. Meng Su)
Le Jardin de Dolly
Kitty-valse
Tendresse
Le pas espagnole

Intermission

Valses poéticos
ENRIQUE GRANADOS  (1867-1916)
Vivace molto
Melodico (arr. Duo Gruber-Maklar)
Tempo de vals noble
Tempo de vals lento
Allegro humoristico
Allegretto (elegante)
Quasi ad libitum (sentimental)
Vivo
Presto – Andante – Tempo del primer vals

Bajo la Palmera
ISAAC ALBÉNIZ (1860-1909)
Castilla (arr. M. Llobet)

Tango Suite
ASTOR PIAZZOLLA (1921-1992)
Allegro
Andante
Allegro vivace

Manuel Barrueco
April 6 & 7, 2024

Manuel Barrueco is internationally recognized as one of the most important guitarists of our time. His unique artistry has been continually described as that of a superb instrumentalist and a superior and elegant musician, possessing a seductive sound and uncommon lyrical gifts.

His career has been dedicated to bringing the guitar to the main musical centers of the world. During three decades of concertizing, he has performed across the United Sates from the New World Symphony in Miami to the Seattle Symphony, and from the Hollywood Bowl with the Los Angeles Philharmonic to New York’s Lincoln Center.

He has appeared with such prestigious orchestras as the Philadelphia Orchestra and with the Boston Symphony under the direction of Seiji Ozawa, in the American Premiere of Toru’s Takemitsu’s To the Edge of Dream. In addition, he appears regularly with the Baltimore Symphony Orchestra and with San Francisco Performances.

His international tours have taken him to some of the most important musical centers in the world. Highlights include the Musikverein in Vienna, Concertgebouw in Amsterdam, Royal Albert Hall in London, Philharmonie in Berlin, Teatro Real in Madrid, and Palau de la Musica in Barcelona. In Asia he has completed a dozen tours of Japan and made repeated appearances in Korea, Taiwan, Singapore, China, and Hong Kong. Barrueco’s tours of Latin America have included performances in Mexico, Brazil, Colombia, Costa Rica, Panama and Puerto Rico.

He has also performed as a guest soloist with other international orchestras, such as the Russian State Symphony, Helsinki Philharmonic, Royal Philharmonic, NHK Symphony, New Japan Philharmonic, Auckland Symphony in New Zealand, Orquestra Sinfonica do Estado de Sao Paulo (OSESP), in Sao Paulo, Brazil, and the radio symphonies of Munich and Frankfurt.

This coming season 2016-2017 includes solo recitals in the United States, Canada, Germany, Spain, and Italy, an appearance with the Puerto Rico Symphony and conductor Max Valdes, performances with the Cuarteto Casals in the United States, and the Beijing Guitar Duo in the United States and Europe. He will continue being an Artist-in-residence for the University of Alicante, Spain. In the 2017-2018 concert season, Mr. Barrueco will offer two solo tours in Europe (November 2017 and March 2018).

Barrueco’s commitment to contemporary music and to the expansion of the guitar repertoire has led him to collaborations with many distinguished composers such as Steven Stucky, Michael Daugherty, Roberto Sierra, Arvo Pärt, Jonathan Leshnoff, Gabriela Lena Frank, Dmitri Yanov-Yanovsky, and Toru Takemitsu, whose last orchestral work Spectral Canticle was a double concerto written specifically for Manuel Barrueco and violinist Frank Peter Zimmerman.

Manuel Barrueco has appeared on a wide array of television programs including “CBS Sunday Morning”, A&E’s “Breakfast with the Arts”, and “Mister Rogers’ Neighborhood” on PBS. He was featured in a Lexus car commercial, and his work in music inspired Michael Lawrence’s biographical documentary: “Manuel Barrueco: A Gift and a Life” which has been aired by PBS stations around the United States. Barrueco’s performances have been broadcast by television stations around the world such as NHK in Japan, Bayerische Rundfunk in Germany, and RTVE in Spain.

Barrueco’s recording catalogue includes over a dozen recordings for the EMI label. His recording of Joaquín Rodrigo’s Concierto de Aranjuez with conductor and tenor Plácido Domingo and the Philharmonia Orchestra was cited as the best recording of that piece in Classic CD Magazine. His Koch Classics release, Concierto Barroco, with the Orquesta Sinfónica de Galicia and conductor Víctor Pablo Pérez, received a Latin Grammy nomination for “Best Classical Recording.” His early recordings, available on VOX, have become a classic amongst guitar recordings.

In 2007 Manuel Barrueco received a Grammy nomination for the “Best Instrumental Soloist Performance” for his Solo Piazzolla, which was the first recording to be released on the exclusive Manuel Barrueco Collection on Tonar Music. Tango Sensations and Sounds of the Americas came out subsequently in collaboration with the Cuarteto Latinoamericano, the latter received a Latin Grammy Award for “Inca Dances” by Gabriela Lena Frank for “Best Classical Contemporary Composition.” Virtuoso Guitar Duos was released in 2009 and includes the most breathtaking guitar duos from the Spanish and Latin-American repertoire. In 2010 he released a solo recording, Tárrega!, which includes works and arrangements of the Spanish composer Francisco Tárrega and which received a Latin Grammy nomination for “Best Classical Album.” His latest release Chaconne–A Baroque Recital came out in 2012.

This past season he released two recordings: Medea, which includes Barrueco’s arrangement of the ballet by flamenco guitarist/composer Manolo Sanlúcar recorded with the Tenerife Symphony Orchestra and Víctor Pablo Pérez conducting, and China West, a recording of guitar trios in collaboration with his protégés, the Beijing Guitar Duo (Meng Su & Yameng Wang).

Manuel Barrueco began playing the guitar at the age of eight, and he attended the Esteban Salas Conservatory in his native Cuba. He immigrated with his family to the United States in 1967, as political refugees.  Later, he completed his advanced studies at the Peabody Conservatory of Music, where he now shares his love for music with a small number of exceptionally gifted young guitarists from all over the world.

In 2011, Manuel Barrueco received the United States Artist Fontanals Fellowship for Artistic Excellence.

Pepe Romero – February 11 & 12, 2023

There are very few true living legends in the world of classical music, few who have sustained greatness and grown throughout their lives. Pepe Romero is such an artist. He has been honored by kings, heads of state, and major institutions – the encomiums continue to pour in. But to Romero, his most important contribution has been reaching the common man. He has communicated the richness and beauty of the classical guitar to millions of people throughout the world. He has, indeed, become an ambassador of classical music, and, correspondingly, of the classical guitar.

But this gift did not just appear out of nowhere. Pepe is the second son of one of the greatest guitarists that ever lived—Celedonio Romero. And he is brother to two more musical phenoms—Celin and Angel Romero.  But perhaps we should start at the beginning…

Pepe was born in Málaga, Spain, in 1944. In those days, following the devastating Spanish Civil War (1936-39) and during the Second World War, Spain was in desperate economic straits.  Basic survival was the primary challenge. Yet, despite this, Celedonio Romero and his remarkable wife, Angelita, instilled in all three of their children a love of music that transcended the profound misery surrounding them.

By age seven, Pepe set foot on the concert stage for the first time, at the Teatro Lope de Vega in Sevilla. And now, more than sixty years later, he continues to mesmerize audiences throughout the world. During that time, he has given literally thousands of concerts worldwide, many with the remarkable Romero Quartet, and many as a solo instrumentalist. He has worked with almost every major conductor and has to his credit more than 60 recordings (among which are 20 concerto recordings with the Academy of St. Martin-in-the-Fields, with both Neville Marriner and Iona Brown).

Pepe Romero has premiered works by some of the finest composers of the twentieth and twenty-first centuries. Joaquín Rodrigo, Federico Moreno Torroba, Lorenzo Palomo, Padre Francisco de Madina, Paul Chihara, Enrique Diemecke, Ernesto Cordero, and, most poignantly, Celedonio Romero, have written compositions for Pepe. Always a champion of music by composers in earlier periods of music history, he has also delved into rare archives to re-explore lost pieces by Fernando Sor (world premiere and recording of Fantasie in d minor), Mauro Giuliani (world premiere recordings of Concerto no.2 in A major and Concerto no.3 in F major and Variations and Polonaise, Op.65), Francesco Molino (world premiere recording of Guitar Concerto in E minor, Op.56), Ferdinando Carulli (world premiere recording of Guitar Concerto in E minor, Op.140), Johann Kaspar Mertz, Luigi Boccherini, (world premiere recording of all 8 guitar quintets) and others.

In 1992, Pepe Romero performed on a groundbreaking laser disc of the Concierto de Aranjuez with Neville Marriner and the Academy of St-Martin-in-the-Fields. He played a prominent role in the major film documentary Shadows and Light: Joaquin Rodrigo at 90, which received numerous plaudits worldwide (including the Chicago International Film Festival, International Emmy Awards, and San Francisco International Film Festival). In 2005 the Romero Quartet recorded Concierto vasco para 4 guitarras y orquesta by Francisco de Madina (written for the Romeros) with the Basque National Orchestra on a Claves release (entitled Aita Madina). A prominent recording entitled The Romeros: Generations, features premieres of works by Jorge Morel (such as El Maestro, dedicated to Celedonio) and by Pepe himself, Recuerdos del pasado. In the spring of 2005, a solo recital release called Corazón Español became available on the CPA Hollywood Records label. Shortly thereafter, on the same label, came Classic Romero, another invaluable recital recording. In the summer of 2008, Pepe Romero recorded a splendid solo guitar-vocal work by Lorenzo Palomo, with internationally recognized Spanish soprano Maria Bayo. It includes the song cycles Mi jardín solitario (with texts by Celedonio Romero) and Madrigal and Five Sephardic Songs and was released on the NAXOS label in 2009 along with Palomo’s Concierto de Cienfuegos with the Romeros Quartet and Rafael Frühbeck de Burgos conducting the Seville Royal Symphony Orchestra. Celebrating their 50th anniversary and released in 2009 is a recording by the Romeros for Sony´s RCA Red Seal Label entitled Los Romeros: Celebration. In November 2011, Deutsche Grammophon released Christmas with Los Romeros featuring the Romeros and Christmas favorites.  A new Spanish solo guitar CD Spanish Nights performed by Pepe Romero includes a premiere recording of Suite Madrileña No.1 by Celedonio Romero and was released in June 2012 by Deutsche Grammophon.  In November 2012 Pepe Romero received a Latin Grammy Nomination for “Best Classical Album” for his recording of Concierto festivo by Ernesto Cordero. Celebrating his 70th birthday DECCA released an 11 CD set of recordings entitled “Pepe Romero: Master of the Guitar.” Recent recordings include a CD entitled Aloha España featuring guitar and ukulele performances with Daniel Ho. Released in October 2016 by Dacapo Records is a historic live performance DVD of Concierto de Aranjuez with his great life-long collaborator and friend, Rafael Frühbeck de Burgos conducting the Danish National Symphony Orchestra. Among his recent releases are Torroba: Guitar Concertos Vol I and Vol II, both CDs part a series of recordings (shared with guitarist Vicente Coves and conducted by Manuel Coves) for NAXOS of the complete guitar concertos by Federico Moreno Torroba.

Maestro Romero’s many accomplishments include: world premieres of Rodrigo´s Concierto andaluz (with the Romero Guitar Quartet), Concierto madrigal (with Angel Romero), and Concierto para una fiesta (written for Pepe Romero); Federico Moreno Torroba’s Diálogos entre guitarra y orquesta (Pepe was personally chosen by Torroba and Andrés Segovia for the world recording premiere of this work dedicated to Segovia with an extended guitar cadenza written especially for Pepe), Concierto Ibérico by Torroba (written for and performed by the Romeros), Concierto en flamenco by Torroba was premiered in Málaga (performed by Pepe with Angel Romero conducting); and Lorenzo Palomo’s Concierto de Cienfuegos (with the Romero Quartet) and Nocturnos de Andalucía (both released on the Naxos label). Of the many guitar concertos by his father, Celedonio Romero, Pepe has performed the world premieres of Concierto de Málaga, Fiesta Andaluza and El Cortijo de Don Sancho. Other premieres include Troubadour Music for four guitars and orchestra by Morton Gould, Concierto vasco and Concierto flamenco by Francisco de Madina, Concierto festivo by Ernesto Cordero, Christmas Suite for four guitars and chamber orchestra by Massimo Paris, Concierto a Celedonio by Enrique Diemecke, Concierto Mariachi by Michael Zearott and the guitar concerto, Zareh, by Loris Tjeknavorian. He also revived the great orchestral work Metamorfosi de concert by Xavier Montsalvatge, with Gianandrea Noseda, and premiered as well as recorded the Concerto for Guitar and Orchestra with Trumpet Obbligato by Paul Chihara, with Neville Marriner and the London Symphony. In April 2014 Pepe Romero performed the German premiere in the Berlin Philharmonic of a new work by Lorenzo Palomo – Fulgores – for violin, guitar and orchestra. Upcoming projects include premieres of new guitar concertos by the wonderful Italian composer, Massimo Paris and by the imminent Spanish composer, Jose Peris Lacasa.

In the United States, he has appeared with leading symphony orchestras in Philadelphia, Cleveland, Chicago, Houston, Detroit, Pittsburgh, Boston, San Francisco, Dallas, New York, and Los Angeles, as well as with the Orpheus Chamber Ensemble and Boston Pops.  European ensembles with which he has appeared include the Academy of St-Martins-in-the-Fields, Dresden Philharmonic, London Symphony, la Accademia Santa Cecilia di Roma, Monte Carlo Philharmonic, I Musici, Zurich Chamber Orchestra, Philharmonia Hungarica, Solisti di Zagreb, Hungarian State Orchestra, Spanish National Orchestra, Spanish National Radio Television Orchestra, Norddeutscher Rundfunk, Hamburg Philharmoniker, L’Orchestre de la Suisse-Romande, Lausanne Chamber Orchestra, New Moscow Chamber Orchestra, American Sinfonietta, and Bournemouth Symphony—among many others.

In addition, he has collaborated with such distinguished conductors as Sir Neville Marriner, Rafael Frühbeck de Burgos, Jesús López-Cobos, Eugene Ormandy, Antoni Ros-Marbà, Josep Pons, Arthur Fiedler, Lawrence Foster, Enrique Jordá, Andre Kostelanetz, Leonard Slatkin, Phillipe Entremont, Odón Alonso, Morton Gould, Michael Palmer, Guillermo Figueroa, Michael Zearrot, Miguel Ángel Gómez Martínez, Pedro Halffter, and Christoph Eschenbach.

Pepe Romero has always felt, along with his father and brothers, that the sharing of one’s art is a personal responsibility. Mr. Romero has served as Professor of Guitar at the University of Southern California, University of California at San Diego, Southern Methodist University, and the University of San Diego. Every summer at the Celedonio Romero Guitar Institute, currently held at Oklahoma City University, the Romeros conduct an intensive guitar workshop including master classes, private lessons, student concerts and a final concert featuring the students performing with the Romeros. Pepe has conducted master classes at the Salzburg Summer Academy, Córdoba Guitar Festival, and the Schleswig-Holstein Festival. In 2004 he was appointed Distinguished Artist in Residence at the University of Southern California’s Thornton School of Music. His newly revised guitar method “La Guitarra” was published and released by Tuscany Publications in 2012. Currently he is finalizing a teaching video that discloses the principles of the Pepe Romero guitar technique.

Pepe Romero holds honorary doctorates in music from the San Francisco Conservatory of Music and the University of Victoria, British Columbia. In June 1996, he received the “Premio Andalucía de la Música,” the highest recognition given by his native land for his contribution to the arts. In addition, His Majesty, King Juan Carlos I of Spain, has knighted Pepe and his brothers into the Order of “Isabel la Católica.”

In June 2018 he received the Medalla de Honor from the Real Academia de Bellas Artes de Granada for his lifelong achievement in performance and pedagogy.

A biographical documentary about the Romeros appeared on PBS in 2001 entitled “Los Romeros, the Royal Family of the Guitar.”  Following this production, German television released another brilliant documentary about the Romeros entitled ¨Los Romeros, the Dynasty of the Guitar.”  In 2007, the Romeros received the President’s Merit Award from the Recording Academy, producers of the Grammy Awards, for their significant contributions to the music world and professional career achievements.

Mak Grgic – April 29 & 30, 2023

Touted as a “gifted young guitarist” by the New York Times, and “a guitarist to keep an eye on” by the Washington Post, Grammy®- nominated artist Mak Grgić [GER-gich] is a star on the worldwide stage. An expansive and adventurous repertoire attests to his versatility and wide-ranging interests. From the ethnic music of his native Balkans to extreme avant-garde and microtonal music, his roles as soloist, collaborator, and Grammy-nominated recording artist are fueled by curiosity, imagination, and boundless energy. As a testament to his versatility and wide-ranging appeal, in 2018 Mak was invited by legendary singer-songwriter k.d. lang to perform as the opening act for the North American leg of her Ingénue Redux Tour.

An avid new music proponent, Mak has commissioned a multitude of new works for solo guitar and guitar with ensemble. Some of these include works by Michael Gordon, Julia Adolphe, Nina Senk, Leon First and Cengiz Eren, to name a few. In fall 2022 he will premiere and tour a newly commissioned guitar concerto by Michael Abels, composer for the Oscar-winning motion picture Get Out.

As both soloist and collaborator, Mak averages eighty-five performances a year — nearly two bookings per week. He is a founding member and active performer in two duos—the Flamenco-style “Duo Deloro” with Adam Del Monte, and the new music-focused “FretX Duo” with Daniel Lippel, guitarist of the International Contemporary Ensemble (ICE). As Young Artist in Residence with the Da Camera Society of Los Angeles, he founded “DC8,” an octet declared “an inspiring addition to the contemporary music landscape in Los Angeles [Los Angeles Times].” Other ongoing collaborations include the JACK Quartet, The Assad Brothers, violinists Augustin Hadelich, Martin Chalifour and Chee Yun, and cellists Jay Campbell, Joshua Roman, John Sant’Ambrogio, and Clive Greensmith, formerly of the Tokyo String Quartet, as well as a residency with the Slovenian Philharmonic.

In 2009 at the age of 22, Mak made his professional debut in Russia, performing Rodrigo’s Concierto de Aranjuez with the St. Petersburg Symphony Orchestra under Vladimir Lande. He now makes two regular tours to Asia each season and performs in Europe every other month. Recent engagements include performances and residencies at the Musikverein and the Konzerthaus in Vienna; the Konzerthuset in Stockholm; several venues in Portugal; Teatro Cervantes de Bejar in Castilla-Leon/Spain; the Sarajevo Music Academy; several venues in Slovenia; the Paris Guitar Foundation; Zurich University of the Arts; Taipei National Theater; Shanghai Grand Theater; and the Hong Kong International Guitar Festival.

In North America, he has performed at Austin Classical Guitar; Beyond Microtonal Music Festival/Pittsburgh; the Dallas Opera for performances of Peter Maxwell Davies’s The Lighthouse; Dumbarton Concerts/Washington, D.C.; The Kennedy Center/Washington, D.C.; Mainly Mozart/San Diego; the National Gallery of Art; NAMM Show/California; Strathmore Hall/Maryland; the New York Classical Guitar Society; the Pacific Symphony; Triangle Guitar Society/North Carolina; Walt Disney Hall/Los Angeles; and numerous other venues and guitar societies across the globe.

An enthusiastic recording artist, Mak’s albums capture a probing and continuous exploration of the world of guitar and all its possibilities. His latest recordings, “Balkanisms” for Naxos Music plus “MAKrotonal” and Grammy®- nominated “Mak|Bach” for MicroFest Records, explore a vast repertoire spanning ethnic music, microtonal, new music and early music on re-fretted instruments, such as a “zig-zag fretted Bach prototype guitar” that allows him to create a “well- tempered guitar” for “Mak|Bach.” Mak is also featured on another Naxos release, “La Buena Vida” with flamenco guitarist Adam del Monte. Other albums in progress include an homage to Ligeti, spotlighting gamelan-inspired guitar arrangements; “Peaceful Guitar” on Symphonic, Mak’s first recording of his own compositions; and on the Avie label, an all-concerto recording including Rodrigo’s “Concierto de Aranjuez” and “Balkan Suite of Dances,” a new concerto based on music from “Balkanisms.”

Also an active entrepreneur and educator, Mak is a member of the leadership teams of several organizations including the European Guitar Festival Collaborative (EuroStrings), the Zagreb Guitar Festival, and the Connecticut Guitar Festival. He serves as an adjunct faculty member at Mount St. Mary’s University in Los Angeles, and director of Elemental Guitar in Santa Monica, a program designed especially for young people. This year, he founded “Notey’s World” and the company Notey Inc, to develop a unique game for tablets and smart phones intended to popularize music learning and make it more fun. As a response to the Covid-19 pandemic, he founded the Virtual Guitar Orchestra, gathering more than 1500 guitarists from more than 50 countries to date. VGO is a community-oriented project, recognized by the Library of Congress for its cultural contributions, and has also formed collaborations with the National Association for Music Education (NAfME) and the Augustine Educational Foundation, to help ensembles be active virtually.

Born in Ljubljana, Slovenia, in 1987, Mak studied guitar in Zagreb with the revered Ante Cagalj at the Elly Basic Music Academy. By the age of 14, he was balancing his world champion status in karate with his love for the guitar. Throughout his high school years, he concertized in Ljubljana and Zagreb, splitting his weeks between the two cities, as well as competing in professional martial arts contests across Europe and Asia. Following an injury to his left thumb, he made the decision to focus solely on a career in music, going on to complete a bachelor’s degree with Alvaro Pierri at the University for Music and Performing Arts in Vienna. Pursuing advanced studies in the U.S., Mak was one of the first students to apply for USC Thornton’s new Arts Leadership graduate program, which he incorporated into his doctoral studies in guitar. He has been a student of William Kanengiser and Scott Tennant of the Los Angeles Guitar Quartet, in addition to Brian Head, artistic director of Guitar Foundation of America. In the fall of 2017, he began the Artist Diploma program at USC, the first guitarist in the university’s history to be admitted to this elite program.

Mak plays and endorses an array of outstanding concert guitars made by diverse craftsmen, including German luthier Antonius Müller, the Chinese master Hanson Yao, Bosnian Slavko Mrdalj, Slovenian Samo Sali, Polish Rafal Turkowiak, a 1966 José Ramírez, as well as other re-fretted and remodeled guitars.

Mak Grgić is also proud to be involved with the Bosana Foundation, an organization that raises money for Bosnian youth. He also regularly awards education-furthering scholarships to select students across South America.

* * *

“a superb, finely detailed reading that showed Grgic is a guitarist to keep an eye on.”

Jason Vieaux
March 5 & 6, 2022

Grammy-winner Jason Vieaux, “among the elite of today’s classical guitarists” (Gramophone), is described by NPR as “perhaps the most precise and soulful classical guitarist of his generation”.  Among his extensive discography is the 2015 Grammy-winning album for Best Classical Instrumental Solo, Play.

Recent performance highlights include debuts at the Domaine-Forget Festival, Carmel Bach Festival, as well as returns to San Francisco Performances (part of an annual Artist Residency), Caramoor Festival (as Artist-in-Residence), Ravinia, and Philadelphia Chamber Music Society.  Other recent venues include the National Gallery of Art, Buenos Aires’ Teatro Colon, Amsterdam’s Concertgebouw, the 92Y, Wolf Trap, Curtis Presents, Seoul Arts Center, and Shanghai Concert Hall.  Jason Vieaux has performed as concerto soloist with over 100 orchestras, including Cleveland, Toronto, Houston, Nashville, San Diego, and Orchestra of St. Luke’s.

Vieaux’s multiple appearances over the years with Chamber Music Society of Lincoln Center, Music@Menlo, Strings Music Festival, Eastern Music Festival, Caramoor Festival, etc., have forged his reputation as a top-drawer chamber musician. Regular collaborators include the Escher String Quartet, Grammy-winning mezzo-soprano Sasha Cooke, violinist Anne Akiko Meyers, harpist Yolanda Kondonassis, and accordion/bandoneon virtuoso Julien Labro.

In March 2021, Jason Vieaux performed the premiere recording of a new solo guitar suite, “Four Paths of Light” composed for Jason by jazz legend (and 20-time Grammy-winner) Pat Metheny for his new album Road To The Sun (BMG Modern).  Jason performed the live recording of Jonathan Leshnoff’s Guitar Concerto with Nashville Symphony in 2019 (Naxos).  Jason’s passion for new music has also fostered recent premieres from Jeff Beal (House of Cards Symphony, BIS, 2017), Avner Dorman, Vivian Fung, Mark Mancina, Dan Visconti, and many more.

Slated for Spring 2022 release is a new solo Bach recording on Azica.

PROGRAM

Suite for Violoncello No. 1 in G Major, BWV 1007
Johann Sebastian Bach (1685-1750)
(arr. Vieaux)

Prelude
Allemande
Courante
Sarabande
Minuet 1 & 2
Gigue

El Decameron Negro
Leo Brouwer
(b. 1939)

1.  El Arpa del Guerrero (The Warrior’s Harp)
2.  La Huida de los Amantes por el Valle de los Ecos
    (The Flight of the Lovers Through the Valley of Echoes)
3.  Balada del Doncella Enamorada (Ballad of the loving maiden)

Intermission

From “Four Paths of Light”
(composed for Jason Vieaux) 
Pat Metheny (b. 1954)

Part 1
Part II

Julia Florida Agustin Barrios
Vals in G Major, op. 8 #4  (1885-1944)

Home Jason Vieaux
(b. 1973)

Danza Brasilera
Jorge Morel (1931-2021)